In business since 1990 • On the Web since 1998 • Same location since 1999
Login | Register | Contact Us
Start Here!
"I couldn't resist comment on the great customer service I got from you. I am wholly satisfied with your work. I am amazed at the fact that my lp recording of Rameau's "Le temple de la Gloire" was not in perfect condition, with a rather messy first disc with severe pops and crackles. YOur work on this was miracoulous, with very minimal noise remaining. The rest of the disc is perfection, with absolutly no detectable hiss or pops. I have used products like the Imic, but I am certain that I could not get results like this. I forgot how wonderful vinyl sounds. Your noise reduction is truly stunning, and right from the beginning of the overture there is no vibrancy lost in the ringing trumpets and deep timpany strokes. There is a fresh and vital sound to these transfers. I think that if I find this record again with the vinyl in better condition, I may send it to you for another transfer, and this time with no obstacles for your work. I plan on sending you a heap of orders. I don't think I have ever been this satisfied with anything I have EVER bought. "

Recording Preservation Tips - Cassette Tapes

  • Heat kills cassettes. Leaving cassette recordings in a hot car will shorten the life of the tape and cassette mechanism. The cassette may warp and the tape may become brittle.
  • The cassette player heads need to be cleaned periodically. Please use only "Tape head cleaning fluid". There are various cassette player cleaning kits that do an adequate cleaning job. Another type of cleaning is de-gaussing or demagnetizing the heads. This will improve the frequency response of your cassette player.
  • If the tape breaks, and you are the "do-it-yourselfer-type", here is what the Audiovisual Equipment and Materials Basic Repair and Maintenance Manual says:
    • Lay two ends of tape together and hold. Cut tape diagonally, assuring both ends have the same cut angle.
    • Put the two ends on a smooth, dry surface and try to butt them together. It may be easier to overlap them and pull the fingers apart. Keep the tape straight.
    • Put a piece of special tape-splicing tape across only the non-recorded side of the tape.
    • Burnish the splicing tape down and cut off excess tape, cutting very slightly into the tape. This technique works best with C-30; C-45; and C-60 cassettes. C-90 and C-120 are almost too thin to handle and tend to curl at the moment of splicing.
  • Cassette trivia: the first version of the compact cassette, initially known as the Pocket Cassette, was launched in 1963 in Berlin. Philips engineers later claimed that five considerations had driven the design of the Compact Cassette:
    • Smallest possible dimensions with a playing time of 30 minutes
    • Simple sturdy construction
    • Reliability
    • Maximum protection of the tape
    • Low energy consumption during playback and rewind
  • The initial specification called for monaural recording---two tracks, one in each direction. This was soon supplemented by a standard for stereo recording. Unlike existing stereo standards, which maximized separation of the four tracks required by two-direction recording by interleaving them, the Philips standard placed the two forward tracks and the two reverse tracks next to one another.  This made it possible to play stereo recordings on monaural machines without modification.